Online Public Access Catalogue (OPAC)
Central Library - Vidyasagar University

“Education does not only mean learning, reading, writing, and arithmetic,

it should provide a comprehensive knowledge”

-Ishwarchandra Vidyasagar


Shakespeare and Classical Tragedy : (Record no. 57456)

000 -LEADER
fixed length control field 01842nam a22002297a 4500
003 - CONTROL NUMBER IDENTIFIER
control field IN-MiVU
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20191128160210.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m|||||o||d| 00| 0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr uuu---uuuuu
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180522s2011 xxu||||go|||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780198112648 ( e-book )
040 ## - CATALOGING SOURCE
Original cataloging agency MAIN
Language of cataloging eng
Transcribing agency IN-MiVU
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title eng
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Miola, Robert S.
245 00 - TITLE STATEMENT
Title Shakespeare and Classical Tragedy :
Remainder of title The Influence of Seneca [ electronic resource ] /
Statement of responsibility, etc. by Robert S. Miola.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Oxford Scholarship Online ,
Date of publication, distribution, etc. 2011
520 ## - SUMMARY, ETC.
Summary, etc. This book charts the influence of Seneca — both as specific text and inherited tradition — through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and an understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and dramatic adaptations, especially those of Chapman, Jonson, Marston, Garnier, Cinthio, and Dolce. Three broad categories organize the discussion — Senecan revenge, tyranny, and furore — and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing Seneca's presence in Renaissance comedy and, more important, in the hybrid genre, tragicomedy.
650 10 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element English
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1093/acprof:oso/9780198112648.001.0001">https://doi.org/10.1093/acprof:oso/9780198112648.001.0001</a>
Link text https://doi.org/10.1093/acprof:oso/9780198112648.001.0001
Public note View to click
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type E-Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Date acquired Barcode Date last seen Cost, replacement price Price effective from Koha item type
          Central Library WWW 2016-02-02 EB496 2018-05-22 118.58 2016-02-02 E-Book

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