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02458nam a22002417a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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IN-MiVU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20190806155352.0 |
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180419s2011 xxu||||go|||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780191595684 ( e-book ) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MAIN |
| Language of cataloging |
eng |
| Transcribing agency |
IN-MiVU |
| 041 0# - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.04 |
| Item number |
ARR/M |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Arrowsmith, Rupert Richard |
| 245 00 - TITLE STATEMENT |
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| Title |
Modernism and the Museum : |
| Remainder of title |
Asian, African, and Pacific Art and the London Avant-Garde [ electronic resource ] / |
| Statement of responsibility, etc. |
by Rupert Richard Arrowsmith. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Oxford: |
| Name of publisher, distributor, etc. |
Oxford Scholarship Online, |
| Date of publication, distribution, etc. |
2011. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This book proposes an entirely new way of looking at the evolution of Modernist art and literature in the West. It shows that existing surveys of Modernism tend to treat the early stages of the movement as a purely European phenomenon, and fail to take account of the powerful and direct influence of Asia, Africa, and the Pacific islands operating via museums and exhibitions, particularly in London. The book presents the poet Ezra Pound and the sculptor Jacob Epstein as two seminal figures whose development of a Modernist aesthetic depended almost entirely on innovations adapted from extra-European visual art, and makes similar revelations about the work of related figures such as Henri Gaudier-Brzeska, Eric Gill, T. E. Hulme, Laurence Binyon, Richard Aldington, Amy Lowell, Charles Holden, William Rothenstein, Ford Madox Ford, James Gould Fletcher, James Havard Thomas, W. B. Yeats, and D. H. Lawrence. The writing is rigorously historical, and a large quantity of previously unpublished evidence is made available from the British Museum, the Victoria and Albert Museum, the Royal Institute of British architects, the Tate Gallery, and several private collections. The book positions the museums of London —and especially the British Museum —as the West's most significant hub of transcultural aesthetic exchange during the early twentieth century. It essentially proposes that, far from representing a development rooted in provincial European culture, early Modernism was in fact the result of an unprecedented willingness in the avant-garde of the West to learn from the rest of the world. |
| 650 10 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
English |
| 655 #4 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic books |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://doi.org/10.1093/acprof:oso/9780199593699.001.0001">https://doi.org/10.1093/acprof:oso/9780199593699.001.0001</a> |
| Link text |
https://doi.org/10.1093/acprof:oso/9780199593699.001.0001 |
| Public note |
View to click |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
E-Book |
